{"id":8214,"date":"2015-01-21T13:55:00","date_gmt":"2015-01-21T12:55:00","guid":{"rendered":"https:\/\/www.caraa.fr\/?p=8214"},"modified":"2019-06-26T15:50:12","modified_gmt":"2019-06-26T13:50:12","slug":"paintings-pigments","status":"publish","type":"post","link":"https:\/\/www.caraa.fr\/en\/paintings-pigments\/","title":{"rendered":"Paintings and Pigments"},"content":{"rendered":"

[vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101233065{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101238645{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude des pigments pr\u00e9historiques de divers sites rupestres dans le Quercy (France)
\n<\/strong>\u2022Smith D.C. et al.<\/em>, 1999, J. Raman Spectrosc. 30, 347-354 online
\n<\/a>\u2022 Smith D.C., Bouchard M., 2001, in La grotte de Pergouset, Ed. Lorblanchet M., Daf, Paris, 174-180 pdf<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1561025379831{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039269940{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101244969{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039260769{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101251352{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

\n

Etude des pigments pr\u00e9historiques de la grotte de Mayenne-Science (France)
\n<\/strong>\u2022 Pigeaud R. et al<\/em>., 2004, Gallia-Pr\u00e9histoire, vol. 46 online
\n<\/a>\u2022 Bouchard M., avril 1999 : Nouvelles applications de la Microscopie Raman en arch\u00e9ologie et en pr\u00e9histoire. in Arch\u00e9ologia, 355, 8-9. pdf<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101264162{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101269968{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude des pigments pr\u00e9historiques de divers sites rupestres au Mato Grosso (Br\u00e9sil)
\n<\/strong>\u2022 Smith D.C., Bouchard M., 2005, in Pr\u00e9-Historia do Mato Grosso : Abrigios Rupestres de Santa Elina e da Cidade de Pedra, Ed. A. Vilhena Vialou, Universita da Sao Paulo, Br\u00e9sil. pdf<\/a><\/p>\n

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\n

Etude exhaustive des pigments du peintre Sam Francis<\/strong>
\n\u2022 Bouchard M. et al<\/em>., 2009, e-P<\/em>reservation science<\/em>, 6, 27-37 pdf<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101303014{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101309448{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude multi-analytique de pigments et colorants organiques, en particulier Gardenia augusta
\n<\/em><\/strong>\u2022 Canamares M-V et al<\/em>., 2009, J. Raman Spectrosc, 41, 4, 391 \u2013 397.<\/strong> online<\/a><\/p>\n

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\n

Etude fondamentale de la composition des pigments \u00e0 base de cobalt (bleus, verts, violets et jaunes)<\/strong>
\n\u2022 Part 1 : Bouchard M., Gambardella A., 2010, J. Raman Spectrosc., disponible en ligne. online<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101329476{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101336044{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Mise en \u00e9vidence des campagnes de coloration r\u00e9cente d\u2019une collection de gravures du 16 au 19\u00e8me<\/sup> s (Gutierrez Collection).<\/strong>
\n\u2022 Bouchard M., Trentelman K., 2008, \u00e0 IRUG\u20192008, Vienne\/Autriche. pdf<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1561025379831{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039269940{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101342658{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039260769{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101348746{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

\n

Identification des pigments et suivi de la d\u00e9coloration (faedometry) de peintures \u00e0 l\u2019eau de Georgia O\u2019Keeffe<\/strong>
\n\u2022 Kronkright D. et al<\/em>., 2010, \u00e0 AIC 38th annual Meeting, Milwaukee, USA, 2010<\/p>\n<\/div>\n

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Etude des couches de dorures et peintures sous-jacentes sur une table de J. P. Schor, c.1670.
\n<\/strong>Voir la page de l\u2019objet<\/a><\/p>\n

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Etude des pigments originaux et des restaurations d\u2019une commode v\u00e9nitienne, c. 1745.<\/strong>
\nVoir la page de l\u2019objet<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101388901{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101396694{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude des multiples campagnes de restauration d\u2019une terre cuite polychrome par Riccio (Andrea Briosco), c. 1520.<\/strong>
\nVoir la page de l\u2019objet<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1561025379831{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039269940{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101405416{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039260769{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101411434{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

\n

Etude des pigments appliqu\u00e9s sur deux maquettes p\u00e9ruviennes de c. 900 D.C. (Chimu Tardio) repr\u00e9sentant le site p\u00e9ruvien de Haca de la Luna<\/strong>
\n(non publi\u00e9)<\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101426230{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101433191{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude des pigments muraux appliqu\u00e9s sur le site c\u00e9r\u00e9moniel p\u00e9ruvien de Haca de la Luna (200-800 D.C., culture Moche)<\/strong>
\n(non publi\u00e9)<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1561025379831{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039269940{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101439326{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039260769{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101446590{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

\n

Etude des couches pr\u00e9paratoires \u00e0 base de gypse dans une sculpture polychrome du 17\u00e8me<\/sup> s. (Saint Gin\u00e9s de la Jara par <\/em>Luisa Rold\u00e1n)<\/strong>
\n(voir la page de l\u2019objet<\/a>)<\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101453298{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]\"Peintures<\/a><\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1561039281269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-8 vc_col-md-offset-0 vc_col-md-8 vc_col-sm-offset-0 vc_col-xs-8″][vc_column_text css=”.vc_custom_1561101459371{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]<\/p>\n

Etude des pigments rupestres et des modes de d\u00e9gradation des parois sur le site de Canyonlands National Park\/Utah\/USA.<\/strong>
\n(non publi\u00e9)<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101233065{margin-top: 0px !important;margin-right:…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[26,40],"tags":[],"class_list":["post-8214","post","type-post","status-publish","format-standard","hentry","category-expertise","category-expertises","category-26","category-40","description-off"],"acf":[],"yoast_head":"\nPaintings and Pigments - CARAA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.caraa.fr\/en\/paintings-pigments\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paintings and Pigments - CARAA\" \/>\n<meta property=\"og:description\" content=\"[vc_row css=”.vc_custom_1561025555395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” el_class=”competencerangee”][vc_column width=”1\/2″ css=”.vc_custom_1561025367042{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][vc_row_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1561039292149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-4 vc_col-md-offset-0 vc_col-md-4 vc_col-sm-offset-0 vc_col-xs-4″][vc_column_text css=”.vc_custom_1561101233065{margin-top: 0px !important;margin-right:…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.caraa.fr\/en\/paintings-pigments\/\" \/>\n<meta property=\"og:site_name\" content=\"CARAA\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/LaboratoireCaraa\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-01-21T12:55:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-26T13:50:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.caraa.fr\/wp-content\/uploads\/2014\/10\/Photo0.jpg\" \/>\n<meta name=\"author\" content=\"Michel Bouchard\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CARAA_Center\" \/>\n<meta name=\"twitter:site\" content=\"@CARAA_Center\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Michel Bouchard\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/\"},\"author\":{\"name\":\"Michel Bouchard\",\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/#\\\/schema\\\/person\\\/56885db9c500ef622b0d9d2fb00fb503\"},\"headline\":\"Paintings and Pigments\",\"datePublished\":\"2015-01-21T12:55:00+00:00\",\"dateModified\":\"2019-06-26T13:50:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/\"},\"wordCount\":3464,\"publisher\":{\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.caraa.fr\\\/wp-content\\\/uploads\\\/2014\\\/10\\\/Photo0.jpg\",\"articleSection\":[\"Expertise\",\"Expertises\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/\",\"url\":\"https:\\\/\\\/www.caraa.fr\\\/en\\\/paintings-pigments\\\/\",\"name\":\"Paintings and Pigments - 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