{"id":8037,"date":"2021-11-12T11:40:55","date_gmt":"2021-11-12T09:40:55","guid":{"rendered":"https:\/\/www.caraa.fr\/428-2\/"},"modified":"2022-07-11T11:56:06","modified_gmt":"2022-07-11T09:56:06","slug":"paintings","status":"publish","type":"post","link":"https:\/\/www.caraa.fr\/en\/paintings\/","title":{"rendered":"Paintings"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h5>Painting analysis (on canvas, panel, paper, etc &#8230;) comes through the study of the pigments used, the media, the preparation layers, the binders or the varnishes.<\/h5>\n<p>Spectroscopic analyzes (eg. FTIR, Raman, XRF, &#8230; ) help mainly to characterize these materials in order to determine the date of completion, the state of conservation or possible restoration campaigns &#8230;<\/p>\n<p>Imaging analyzes (eg. multispectrale, UV-Vis, IR, X-ray, &#8230; ) allow to determine the state of conservation of the support, the paint layers or the coating surface. It also help to detect the presence of repaints, underpaints or sketches etc.<\/p>\n<p>The results of these analyzes help the scientist, the curator or the conservator in his choice toward an artist or a period, but they also help to take the right actions for the conservation and restoration of the painting.<\/p>\n<ul>\n<li><b>Works of Art analyzed<\/b><\/li>\n<\/ul>\n<p><i>Brueghel, Le Brun, Chardin, Le Lorrain, Boucher, Braque, <\/i><i>Frietz<\/i><i>, Manet, Monet, C\u00e9zanne, Emile Bernard, Modigliani, <\/i><i>Malewicz<\/i><i>, <\/i><i>Vlaminck<\/i><i>, Derain, <\/i><i>O\u2019Keeffe<\/i><i>, Exter, Francis, etc.<\/i><\/p>\n<ul>\n<li><b>Examples of completed projects<\/b><\/li>\n<\/ul>\n<p><i>&#8211;&nbsp;Analysis of painting material from Sam Francis studio (2008-2009).<br \/>\n<\/i>&#8211; <em>Spectroscopic analysis of cobalt pigments: I. Cobalt aluminate .<\/em> (2009-2010).<\/p>\n<ul>\n<li><b>Pu<\/b><b>blications<\/b><\/li>\n<\/ul>\n<p>1) FTIR and Raman Microscopy study of paints used by Sam Francis in e-Preservation science, 6, 27-37, (2009).<br \/>\n2) Raman study of synthetic cobalt blue spinels used in the field of Art, in J. Raman Spectrosc. 41 (11) 1477\u20131485, (2010).[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<p>ngg_shortcode_0_placeholder[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712.content-bg-on.classic-layout-list article {\n  background: #e5dbc6;\n  box-shadow: none;\n}\n.blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712.dividers-on.classic-layout-list article {\n  margin-top: 5px;\n  padding-top: 0;\n}\n.blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712.dividers-on.classic-layout-list article:first-of-type {\n  margin-top: 0;\n  padding-top: 0;\n}\n.blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712.classic-layout-list.mode-list .post-thumbnail-wrap {\n  width: 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.blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712 .post-details {\n    margin: 5px 0 10px;\n  }\n  #page .blog-shortcode.blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712 .post-details.details-type-link {\n    margin-bottom: 2px;\n  }\n}<\/style><div class=\"articles-list blog-shortcode mode-list blog-list-shortcode-id-b13e0a99fdc56fa6f9c54c98e7de1712 classic-layout-list content-bg-on jquery-filter scale-img dt-icon-bg-off loading-effect-fade-in\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\"><article class=\"post project-odd visible no-img post-8037 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Paintings\" data-date=\"2021-11-12T11:40:55+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/paintings\/\" title=\"Paintings\" rel=\"bookmark\">Paintings<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><article class=\"post project-odd visible no-img post-8034 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Sculptures\" data-date=\"2020-10-28T19:49:55+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/sculptures\/\" title=\"Sculptures\" rel=\"bookmark\">Sculptures<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><article class=\"post project-odd visible no-img post-8041 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Glass and Ceramics\" data-date=\"2019-12-01T09:45:25+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/glass-and-ceramics\/\" title=\"Glass and Ceramics\" rel=\"bookmark\">Glass and Ceramics<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><article class=\"post project-odd visible no-img post-8044 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Historic monuments\" data-date=\"2017-12-01T10:11:04+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/historic-monuments\/\" title=\"Historic monuments\" rel=\"bookmark\">Historic monuments<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><article class=\"post project-odd visible no-img post-8047 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Archaeology\" data-date=\"2014-12-01T10:15:31+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/archaeology\/\" title=\"Archaeology\" rel=\"bookmark\">Archaeology<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><article class=\"post project-odd visible no-img post-955 type-post status-publish format-standard hentry category-objects-and-material category-23 description-off\" data-name=\"Photographs\" data-date=\"2009-12-12T17:20:39+02:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.caraa.fr\/en\/photographs\/\" title=\"Photographs\" rel=\"bookmark\">Photographs<\/a>\n\t<\/h3>\n\n\t\n\t\n\t\n<\/div><\/article><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p>&nbsp;[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text] Painting analysis (on canvas, panel, paper, etc &#8230;) comes through the study of the pigments used, the media, the preparation layers, the binders or the varnishes. Spectroscopic analyzes (eg. FTIR, Raman, XRF, &#8230; ) help mainly to characterize these materials in order to determine the date of completion, the state of conservation or&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-8037","post","type-post","status-publish","format-standard","hentry","category-objects-and-material","category-23","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paintings - CARAA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.caraa.fr\/en\/paintings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paintings - CARAA\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text] Painting analysis (on canvas, panel, paper, etc &#8230;) comes through the study of the pigments used, the media, the preparation layers, the binders or the varnishes. Spectroscopic analyzes (eg. 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