Photo CARAA ©


25 March 2013

CARAA is at the MANS’ART (2013)

Le Mans, city of art and history, welcomes on April 5th, 6th and 7th 2013 the 2nd edition of Mans’Art Days exhibition opened to heritage crafts: restoration, conservation, old books and antiques.

CARAA will be present in the St Julien Cathedral in the heart of the old town of Le Mans.
The Plantagenet city is surrounded by a Roman walls from the third century AD., the best preserved in Europe and candidate for World Heritage of Humanity (UNESCO classification). The city opens her doors to all cultural heritage skills: Restoration, conservation, advices, old books and antiquities.

Professional Day Friday, April 5th.
Free event. Access to the antique: pass € 5.

actu-courbet Photo CARAA ©


07 February 2013

Summary of analytical report (statment): Painting on canvas, portrait of a woman
On November 21th 2012, CARAA was mandated to analyze by X-ray fluorescence (XRF) three areas of a painting on canvas depicting the portrait of a woman.

    The analyzed areas concerned three colors:
  • The white, identified as lead white with traces of lithopone.
  • The red, consisting of vermilion.
  • The brown, mainly consisting of red ocher.

All pigments analyzed in this work are contemporary with the second half of the nineteenth century.

The results of these analyzes are currently part of the elements taken into account for a possible allocation to the work of Gustave Courbet.

actu-galle-en Photo CARAA ©


01 June 2011

New research program “GALLE”: Non-invasive study of the work of the glass maker Emile Gallé

CARAA, in collaboration with the LARCROA and the Museum of the Ecole de Nancy started a new research program to better understand and to reference the material used by one of the most distinguished glass masters of Art Nouveau, Emile Gallé (1846-1904).

Together with the Museum of the Ecole de Nancy, some forty works from the museum’s collections were selected based on their historical, technical, aesthetic or chronological interest. These works cover a production period from 1886 (the first works of the artist) until 1916 (produced by the workshop of E. Gallé after the death of the artist in 1904). The data, acquired in-situ by non-invasive X-ray fluorescence spectroscopy, are being studied and will be used after correlation with the historical data and recipes, to identify the materials as well as to better understand the techniques used by E. Gallé.

The characterization of the artist’s palette will also help to differentiate the authentic pieces of Gallé from counterfeit.