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Organic Material

In this specific field, the wide diversity of existing materials adds to the complexity of certain organic molecules. These materials are generally related to wood, skin, bacteria, plants, bones, solvents, etc.. Only organic materials related to the world of art are treated at CARAA (wood, ivory, bone, varnishes, binders, dyes, polymers and plastics, etc.).


Understanding organic material


This goes by understanding how these material deteriorate. The very fragile structure of organic materials is highly degradable depending on its conservation environment. Degradation reactions can result in a breakdown of the molecules, but it may also consist in a change of color or a polymerization of the original molecules (e.g. the tannins).

A benefit for restoration and conservation


The exact identification of a type of varnish, wax or coating will affect the techniques used during restoration. The wide range of analytical instruments used at CARAA allows to use the most suitable technique according to the organic material studied (ex: CPG, HPLC, Py-GC-MS, FTIR, …)*.

Dating possibilities


For some kinds of organic materials, C14 dating technique is possible. The historical time frame concerned, the available amount of material, the conservation status and the exact composition of the material are essential criteria to evaluate prior to dating.





Précédent
  • Photomicrography showing (before analyses) the glue layer between two chalcedonies in the reproduction of an antic gem.
  • Cochineal insect used for the manufacturing of the red pigment.
  • Cochineal red pigment powder.
  • African ivory statue (20 <sup>th</sup> c.) (Priv. Coll.).
  • Japanese polychrome ivory statue (19 <sup>th</sup> c.) (Priv. Coll.).
  • Linen seeds (linum usitatissimum) used for the manufacture of linen oil.
  • Linen oil at the final stage, ready to be used as a medium.
  • Photomicrography of a pigment in a microcrystalline wax matrix (from a contemporary sculpture, <em>Hepworth</em>).
  • Dry Indigo leafs used for the manufacturing of the pigment.
  • Analyses of the portrait of Marcel Duchamp by <em>Antoine Pevsner</em> and its dégradation. (Yale University/USA).




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* GC: gas chromatography-mass spectroscopy, HPLC: High performance liquid chromatography , Py-GC-MS: Pyrolysis and gas chromatography coupled with mass spectrometry, FTIR: Infrared Spectroscopy Fourier Transform