Competences
CARAA was created in 2010 by Michel Bouchard, a chemist by training that holds a PhD in archaeometry and spectroscopy from the National Museum of Natural History in Paris. After obtaining his PhD in 2001, Michel Bouchard was a research engineer at the CNRS until 2005, working in particular on the study of metal oxides (Lille) or the degradation of varnishes by UV light (Paris).
In 2006, he joined the Getty Conservation Institute in Los Angeles as a Conservation scientist, working on the collections and museum acquisitions. In 2009, Michel Bouchard left the Getty Museum to create CARAA, an analytical laboratory dedicated to curators, conservators and professionals from the art market.
Pigments and paintings
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Prehistoric pigments study from various site in the Quercy/France |
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Prehistoric pigments study from the cave of Mayenne-Science/France Pigeaud R., Bouchard M., Laval E., 2004, Gallia-Préhistoire, vol. 46 |
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Prehistoric pigments study from various outdoor site in Mato Grosso/Brazil |
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Exhaustive study of the pigments palette of Sam Francis |
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Multi-analytical study of organic pigments and dyes, in particular Gardenia augusta |
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Fundamental study of the composition of cobalt-based pigments (blue, green, violet and yellow) |
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Study of the (re)-coloration campaigns on a collection of 16 to 19th century drawings (Gutierrez Collection). |
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Study of the pigments palette and fading phenomena (faedometry) on watercolors by Georgia O’Keeffe |
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Study of the gilding and under-painted layers on a J. P. Schor table, c.1670. |
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Study of the original and recent pigments from venetian commode, c. 1745. |
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Study of the numerous restoration campaigns on a polychrome terracotta by Riccio (Andrea Briosco), c. 1520. |
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Study of the pigments on two Peruvian models (c. 900 D.C., Chimu Tardio) of the ceremonial site of Haca de la Luna |
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Study of the mural paintings from the ceremonial Peruvian site of Haca de la Luna (200-800 D.C., culture Moche) |
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Study of the wall painting pigments in the church of Sainte-Radegonde in Giverny, France (11-16th c.) |
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Study of the rock art paintings and degradation processes on the site of Canyonlands National Park/Utah/USA. |
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Study of the gypsum preparation layers on a 17th century polychrome sculpture. (Saint Ginés de la Jara by Luisa Roldán) |
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Metals, corrosion
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Study of modern and antic coins collections (identification of the alloys and alteration processes). |
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Non-destructive study of the corrosion products on various metallic archaeological objects. |
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Mineral and analytical comparative study of three polymorphs of the copper hydroxychloride (Cu2Cl(OH)3) |
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Study of the electrochemical cleaning process for silver gilt tarnished objects (17th c.). |
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Elemental and comparative study of three “bronze” sculptures of St Jean Batiste (estimated 15 th c.) (Museums of Kimbell/USA, Saint Louis/USA & Private Coll.) |
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In-situ analyses of ceremonial pre-Columbian objects in the Musée de l’Homme, Paris. |
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Study of the alloy composition of two busts of popes by Gian Lorenzo Bernini (Gregory XV Ludovisi et Paul V Borghese) |
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Study of a coffer and its stand by A-C Boulle (Lewis Walpole Library/UK). |
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Non-invasive study of the alloy composition of 19 French « bronzes » from the 17th-18th centuries from of the exhibit The French Bronzes (Lespingola, Pigalle, Houdon, Anguier, etc.) |
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Study of 4 monumental French « Bronzes », 17th c. at the Huntington Library/USA. |
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In-situ and non-invasive X-ray fluorescence analyses of gilt bronzes from 18th c. European furniture in the galleries of the Fine Arts Museums of San Francisco. (BVRB, Oeben, Carlin, Hansen, Hume, Desforges, Roentge, Pierre Langlois, etc.) |
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X-ray fluorescence analyses of the first « Oscar » (bronze proof), Hollywood (c. 1928) |
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Study of outdoor metallic sculptures from the Stark collection (Hepworth, Miro, Moore, Shapiro, Giacometti, Magritte, etc.) |
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Pre-acquisition study of two « bronzes » by Pietro Cipriani (c. 1722) (Dancing Faun and Venus) |
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Gems, rocks and minerals
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Building of a Raman spectral database for art and archaeological material. |
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Pre-acquisition study of a « Christ in Majesty », Limoges (~1188) |
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Study of an alabaster bust by F.X. Messerschmidt (c. 1770) |
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Multi-analytical and non-invasive study of antic and 18-19th c. gems. |
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Study of an early 16th c. «Virgin and Child ». |
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In-situ study of various pre-Columbian rock and crystal objects at the Musée de l’Homme, Paris. |
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Pre-acquisition study of a gilt mirror, gems and diamonds (Royal mirror) |
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Stained-glass
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Technical study of stained glass and their degradation |
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Contemporary material (plastics-pigments)
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Comparative study of cellulose-based material. |
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Study of outdoor painted sculptures from the Stark collection (Calder, Leger, Lichtenstein, etc.) |
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Analyses of the « Portrait de Marcel Duchamp » by Antoine Pevsner and its degradation. |
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Technical study of the printing processes of the photographs E. Weston (1886-1956), M. Mather (1885-1952) and E. S. Curtis (1868-1952). |
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Within the PopArt program, non-invasive analyses of different kind of plastics used in modern and contemporary art. |
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Study of the material used in a reduced architectural model by J. Lautner (1911 – 1994), Turner House, Aspen, CO/USA. |
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| Analyses of an « Achrome » (1960) by P. Manzoni. (unpublished) |
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Organic material
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Study and set-up of a gas chromatography database for graphic document. |
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Analyses of the multiple restoration coatings on a marble bust by F. Harwood, 1758. |
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Study for the conservation of a Flux’movement object (G. Maciunas, Fluxmouse, 1972) |
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Toxicology
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Study and characterization of asbestos fibers in a 18th c. book collection. |
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Study and characterization of asbestos fibers in a « magic lantern » (end of 19th c.) |
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Characterization of uranium in a photography using the uranotype process. |
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Study and characterization of toxic material (As, Hg, …) in naturalized animals. |
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General
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Elemental analyses of historical or art-related copper-based material. |
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Non-invasive and mapping x-ray fluorescence spectroscopy applied to four kinds of art objects: metal, paintings, glasses and manuscripts. |
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